Working with Paper Patterns and Sweater Knit Fabrics

I sometimes find it amusing when people discuss sewing knit fabrics in general and sweater knit fabrics in particular. They usually have very strong views on it. People either love it because it's "so easy working with knits" or hate it because those knits are just so "difficult" and "tricky". If you're one of those in the "difficult" or "tricky" camp, I hope to change your mind.

Though I've had plenty of experience working with knits, this experience has been mainly developing stitch patterns for knit fabrics and creating fully fashioned garments. Studying and practicing techniques for my Crazy Crushed Can Accessory, however, was intriguing. A variety of techniques do indeed exist. And I'm happy to report that a bunch of long lost skills are now fresh in my mind. I learned some new moves too. Below are some of what I found most useful.

I've already gone into the importance of preparing the fabric before the cut. It's also important to be sure you're using a fabric of a manageable length and width. That is, never use a piece of fabric that's longer or wider than your work table. Just cut the fabric into smaller pieces, if necessary. The edges of the knit fabric should never hang over the table. One of the most lovely thing about knits is that stretch, but we don't want the fabric to stretch unnecessarily before or during the cutting.

Ok, so that one may be a bit obvious, but before I continue, I've got to briefly mention seam allowance. If you're using a pattern (commercial or otherwise) that doesn't provide seam allowance, this could be the point where you add seam allowances to the paper pattern. It doesn't have to be. I didn't add seam allowances when I drafted my paper pattern. I added the seam allowance while cutting the fabric and simply cut the paper pattern on what's essentially the seamline. 
I didn't include seam allowances on this paper pattern.
If my paper pattern had folds, this would be the point where I ironed the pattern. Yeah, ironing paper freaks me out -- just doesn't seem right. Just be sure your iron isn't too hot. Use a dry iron with temperature set very low, often the setting for acetate or nylon.

Many people are quite comfortable using pins with their knits. I am not, at least not at this point. Instead of pins, I prefer using weights for holding the paper on the fabric. 
Big washers do the trick.


A glass paperweight and Fresnel lens ended up being my favorites. And not just because the paperweight is pretty!

Big washers, food cans, paper weights and Fresnel lenses (if you happen to have one around) are all fine. I'm sure we've all got something appropriate hanging around the home. My preference is for something low and easy to see around. This makes it a breeze to line up horizontal pattern edges with the rows of stitches and the vertical pattern edges with the wales (columns of stitches). I personally prefer non-metallic items to use as weights. Yes, non-metallic! Why, you ask? I'll show you know in my next post when I write about how I handled seam allowances and cutting the sweater knit fabric.

The pieces of my pattern were asymmetrical and so placing on the fold was not an option. Only if a shape were really simple and uncomplicated (e.g. a rectangular band) would I take the chance of placing a piece on the fold or cutting double thickness. When it was necessary to cut two of a piece, I did it one at a time. 

Next up:  seam allowances and cutting the fabric! In the meantime, if you have any tips on laying out pattern pieces on knit fabrics, please share them in the comments!

O!

Green Sparkly Yarn and Post-Sandy Relief

This is the last day of the Thanksgiving weekend here is the US.  If you're a person who celebrates the day, I hope you had a beautiful one!

Before I begin to go back to my semi-regular schedule of cutting, sewing and blogging, I'd like to point you toward yesterday's post on my other blog. When I returned to blogging post-Sandy, I mentioned the minor discomforts my DH and I endured during our few days without electricity or heat. Though it's been about a month since Sandy hit, there are so many who are still struggling in the aftermath. I'd like to help, and I'm asking for your help too.

Though Crafting Fashion's focus is on sewing, I know that some of you have an interest in other crafts. For those of you who haven't clicked on that link yet, here's a brief appeal: If you happen to have need of green sparkly yarn, (It is the holiday season after all.) I know just where you can get your hands on some. From me! I'll be donating 100% of proceeds from the sale of my green sparkly yarn to a wonderful organization that mobilizes volunteers and supplies support services to those in need. The organization is called New York Cares. Please read my blog post to see how you can purchase this yarn or learn how to make a direct donation. You could even win a prize!
Here's the Christmas tree I knitted last year with the green sparkly yarn.

Tomorrow I get back to get back to cutting and sewing and all the fun stuff that goes with it.

Thanks for listening.

O!

The Reveal: The Crazy Crushed...

Notice something odd with this cowl?

That's right! I bet you notice everything. I am wearing it on my head.

I started noticing that things weren't exactly as I'd imagined them right about after I finished sewing the major pieces together. Honestly, there was really nothing wrong. But as I was trying on the unfinished cowl in the mirror, I paused with it on my head. Hmmm... there were definitely possibilities there.

From that point on, I couldn't keep the hat idea out (or off) of my head. I already mentioned in an earlier post that I'd concluded that the color combination was a bit too subtle for my taste. Wearing this creation on my head brought the whimsy back!

And yes, it can still be worn as a cowl.

But here's the thing: In order for this piece to reflect the spirit of the Nakamichi's original "Crushed Can" (See pic.), it would've had to fit tightly, like a turtleneck and not a cowl. Let's face it, a turtleneck is much too difficult to remove in public. But pulled around my much thicker head (compared to my neck, that is ;) ), the crushed canny-ness comes through.

What I liked most about this project is that I got to learn or brush up on several skills:
  • Placing paper patterns and weights on sweater knit fabrics
  • Power cutting and seam allowances 
  • The use of binder clips to hold sweater knit fabrics together
  • Serging sweater knit fabrics
  • Sewing sweater knit fabrics on a regular sewing machine
  • Serging inside corners and outside corners
  • Steaming odd shapes
  • Overstitching
I plan to discuss each of these topics in future posts. 

Now to figure out what this article of clothing is called. Is it still a cowl? Is the term "ear warmer" appropriate? Perhaps this is a head gaiter? Or a topless hat or cap. What do you call it?

Whatever it is, if you've got a sense of humor and you like this... accessory... and want to make one of your own, listen up. I'll be including the pattern (I'm sure it'll have a name by then.) with detailed instructions for the very low price of free in my first issue of the Cut & Sew Chronicles newsletter. Just sign up with the form in the right sidebar. The Cut & Sew Chronicles will be delivered to your inbox once a month starting in December.

O!

Making Progress on the Crazy Crushed Can Cowl

This past Thursday I worked on the Crazy Crushed Can Cowl. Here's where I am right now.

Yes, I know, it looks strange. And I'm hoping it'll still look unusual once finished and arranged in its "crushed" styling. For those seeing this for the first time, my cowl is based on Tomoko Nakamichi's "Crushed Can" top from her book Pattern Magic: Stretch Fabrics.
You can picture this as a cowl. Right?
This is my very first project from the book and I wanted to start small, so I decided to turn the top into a cowl. I drafted a pattern and cut the pieces from fabric I'd prepared earlier.

Though I really love the fabric and the colors I chose, I'm now wishing I'd chosen one of my fabrics with more contrasting colors  for this project. These colors and points are looking rather subtle to me at the moment. (Subtlety is relative.)
A lens and glass paperweight were used to hold down the paper pattern pieces. I cut the sweater knit fabric using my handy power scissors.
I serged the pieced together and that's how I got to where I am now. Once I actually got started, the sewing was very quick. At this very moment I'm trying to decide whether I should just hem the top and bottom edges as planned or maybe add bands? Or perhaps a lining?

I'll let you know.

O!

Preparing the Fabric Before the Cut

Last week, during the days when I and many others were without electricity (or heat or hot water or internet or phone), I was fortunate to be able to create. In the light of day, I managed to machine knit several fabrics for upcoming projects or for eventual sale.


I was also able to prep the fabric that I'm using for my current project. My goal, when preparing my knit fabric for sewing, is to bring the fabric to its "finished" state. Whether a fabric has been recently knitted or has been sitting on a bolt for months, the first cleaning will usually change the look and feel of the fabric, especially a natural one. The fabric may shrink or the fibers may full. It's best that this happens before cutting and sewing the piece! If I were one to have my my fabrics dry cleaned, I suppose I could simply bring them to a trusty dry cleaner before cutting. My preferred method, however, is to prepare the fabric by hand, since eventually the finished sewn item will be handwashed.

First, I soak the fabric in water with a special wool wash like
Eucalan     or Soak

following the directions on the bottle. (Caution: Do not use Woolite. It contains "optical brighteners" which can remove any natural oils in the wool and "dry-out" the fabric.) When removing the fabric from the water, I don't wring it. I gently squeeze and roll the fabric in an old towel to the remove as much moisture as possible. Then, being careful not to stretch the fabric, I lay it flat to dry. I try to make sure that the fabric is square, but I don't pin it into position. Instead, I allow it to find its own size as it dries. Fortunately, this method requires no electricity and no hot water.

There are other approaches to preparing a fabric for cutting and sewing. Although some of the methods described in the links below are for woven fabrics, they can work quite well with certain sweater knit fabrics.

Links to other methods of prepping fabrics:
Remember there are many varieties of fibers used in knits; be sure to test first on a small piece of fabric before committing any preparation method to the full fabric!

O!

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Edited for clarity 07Nov2012
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