Blog Hop - Four Questions and Answers

In the comments of a recent blog post, I received a "nomination" to participate in a blog hop! It's the four questions interview hop, which you may have seen on other blogs. I'm sorry I have no idea who started it. Lori B of Frivolous at Last nominated me and that was kinda fun, since we'd never communicated before this.

How it works is easy. I'll just dive right in and answer the questions. At the end I'll nominate two more bloggers to participate. Originally, there was some sort of time frame on when the questions were to be answered, but we'll ignore that part. So here goes!

1.  Why do I write?
I started writing this blog mostly to keep a record of the steps I take to produce a particular sewing technique. I'm a professional knit textile designer and as most textile designers do, I've kept meticulous notes and graphs so that the fabrics can be reproduced. When I decided I wanted to experiment with cutting and sewing my fabrics, I decided, of course, to keep more notes. This time I'd publish what I wrote in the form of a blog, and perhaps I'd find a community of others doing the same.
Keeping notes ;-)
This is actually my fourth blog. The first was a digital animation vlog in support of the electronic music group Silicon Soul. (I was a founding member, songwriter, and singer for the group. We had a European hit "Who Need Sleep Tonight" with a bunch of remixes and collaborations.) The second blog was about electronic (classical contemporary and dance) music and electronic art in general. I wrote to share interesting performances I'd attended, exhibits I'd viewed, or items I'd found online. My third blog is Knitting in the Fastlane, a machine knitting blog, where I still post on an irregular basis. Though Crafting Fashion started out as just a web log, it's moved beyond that now. I try to make what I write helpful to anyone who's interested in cutting and sewing sweater knits. On occasion I'll write about the sweater knit fabrics that I design, develop and/or knit, some of which are available through my online shop.

2.  What am I working on?
I'm smack in the middle of a shawl collar cardigan, Kwik Sew 3916. Though I usually prefer drafting my own patterns, it's fun to sew a commercial pattern every now and then. Also, a couple of readers asked if I would write up a project in detail showing how to adapt a commercial pattern for use with sweater knits. Though I originally started out using a serger with sweater knits (a quick and easy way of working with knits), I eventually realized that I wanted the inside of my garments to have a more finished look. The shawl cardi will be my first garment where I finish all inside edges with a stretchy Hong Kong finish. So far, I love the way this is working out! For anyone who thinks of cut and sew sweaters as a poor substitute for the fully fashioned, check it out. Yes, it's an odd mash-up of commercial manufacturing processes and couture techniques, but I'm going to be able to wear this thing inside out if I want! (Exaggeration -- it's not really reversible but will look very neat on the inside.)
One stretchy Hong Kong finished seam in progress


A big project that recently got underway is the Of Hand, Spirtit & Earth Studio. Jacquie Bird of SilkWire Jewelry and I have combined forces to open this studio/showroom in downtown Jersey City NJ. I'm very excited to have a place to regularly show my fabric samples, scarves, and wraps. Of Hand, Spirit & Earth is open to visitors by appointment only. Click if you'd like to know more.

My very Big project (vBp) is my quest to produce a reasonably priced line of quality sweater knit fabrics. This will eventually involve getting some of my fabrics produced commercially. For those who don't knit their own, quality sweater knit fabric can be nearly impossible to find. And if you do find the fabrics, finding matching fabric, suitable for binding and bands, just doesn't happen. This quest has been a project-in-progress for a little while now, and I'm doing this because I am passionate about sweater knits. All my current custom-knit fabrics are, if not luxury, then definitely on the high end. Their widths are also limited by the width of my knitting machines. This may be fine for fashion designers who need swatches or fabric for a sample garment. It's also good for the home sewer who makes the occasional luxury item and appreciates the ease of working with the narrower fabric. I admit I'm biased, but I think more people need quality sweater knits in their lives. Ok, maybe not this much, but definitely more. The vBp will be a way to bring comfortable, quality knit fabrics to a larger audience. Once you've worked with and worn the fine grade wools, you won't be happy with the polyester and acrylic blends. If you're excited by sweater knits and my vBp and want to invest your time or money, let's talk.

3.  How does my blog differ from others in its genre?
Do you remember how I said "perhaps I'd find a community of others who were doing the same"? Well, that never happened. No other bloggers specialize in cutting and sewing sweater knits. At least there aren't any sewers that I've come across who do. There may be machine knitters who blog on this.... If you're out there, please let me know! 

Anyway, I hope that people who are interested in cutting and sewing sweater knits have found my experiments and posts helpful. Working with this type of knit is quite different from working with lighter weight and finer gauged knits. This blog doesn't have lots of subscribers, but according to Google Analytics, some of my posts (the tutorials and tips) have lifetime pageviews hundreds of times my average?! Most readers, who get here via Google, search "how to cut and sew a sweater" or similar query.

4.  How does my writing process work?
My writing process is project-driven. I write about the personal projects that I'm working on or about what I've recently completed, trying to document at least the broader strokes. I don't write about projects I do for private clients, unless the fabric I'm knitting is commercially available in my shop. For this blog, my topics have to do with cutting and sewing the fabrics; usually Crafting Fashion is not about making the fabrics. The pictures, which aren't always as great as I'd like, can come before I start the writing, while I'm writing, or after I've finished the writing. I don't really enjoy taking my own picture modeling a finished garment, but I force myself to do it. I love taking project-in-progress pictures, because they often serve as a writing prompt. I find pics helpful when I'm trying to recreate something I've done previously. I'm glad that others have told me the pics are helpful, too. I've learned to enjoy taking pictures of provocatively draped knit fabrics and then describing them, but I've decided that long winded, detailed descriptions of sweater knits are beyond the scope of this blog! I'd really love to have an editor.
O! Jolly! double knit black and white rippled jacquard, fine grade wool 
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Now is my turn to nominate two bloggers to answer the four questions. My first nomination is Esther Melander of The Design Loft. I've never met Esther and not sure I've ever left a comment on her blog, but I enjoy reading what she writes because it's often technical and meaty. She has worked in the fashion industry and has written a book called The Organized Fashion Designer. Though I'm doing much more textile designing than fashion designing these days, I'm thinking that her book of guides and forms might be helpful as I proceed with my vBp. It would be interesting to learn about her writing process. I also nominate Chuleenan Svetvilas of C Sews. I follow Chuleenan on the various social media and we've commented on each other's blogs, though we've never met in person. I love the dresses she makes and the hats she wears. I admire her sense of style and I'd love to hear about her creative process. I hope Esther and Chuleenan accept the nominations.

O!

Last edit 29Oct2014

Shawl Cardi - Tracing, Tracing, Tracing - Part 3

With much to do in preparation for the opening of the Of Hand, Spirit & Earth studio, progress on the Shawl Cardi came to a halt. But I am determined to make progress now, as time permits. In case you haven't been following along, I'll be posting each step as I cut and sew Kwik Sew 3916 with one of my merino wool, double knit fabrics. This is not an official sew-along, just a step-by-step for those who asked, for the curious, and so I'll have a record, too. Here are the previous posts in the series:
This one is all about tracing: tracing off the pattern, chalk tracing the pattern shape and markings onto the fabric, and thread tracing the sewing line onto the fabric pattern piece. When I last worked on the project, I was figuring out the best way for me to get rid of the 1/4 inch seam allowances on the Kwik Sew paper pattern in preparation to tracing the sewing line. It turns out that the easiest way for me was to use a double tracing wheel.


Here are my steps, posted previously, for tracing off a flat paper pattern piece from the given "place on the fold" tissue pattern piece, now edited for use with the double tracing wheel. Edits are in italics.
There are many ways to create a full paper pattern piece from the tissue paper half piece original. This is where I thought I'd post a link to someone else's tutorial. But I couldn't find one for the method I use! If you've traced off any patterns, making a full piece from a half is probably intuitive. The way I do it uses banner paper, pieces of carbon paper, and (if seam allowances are included in the pattern) a double tracing wheel.
First, I fold the banner paper as if it were a piece of fabric and place the tissue pattern piece I'll be tracing on top. I fold pieces of carbon paper in half, shiny side out, and slip the carbon paper between the two sides of banner paper, wherever I need to trace a line or notch or other mark. Using the double tracing wheel I then trace along the printed pattern lines and marks of the tissue paper. The outer wheel traces along the printed cutting line; the other wheel, adjusted to the width of the seam allowance, automatically traces the sewing line. [I use] a ruler to make the straight lines quickly, going freehand and a bit more slowly around the curves. Last, I cut the banner paper on the sewing (inner) line and I'm left with a nice sturdy flat pattern piece without seam allowances.
I'm almost ready to outline the pattern piece onto the fabric with chalk, but first I place registration lines on the wrong side of the prepared fabric with chalk. My new favorite marking tool for medium or dark fabric is the Chaco Liner, but I'm using regular tailor's chalk this time, because the tailor's chalk line is thicker and shows up more. Here I've marked the center back of the cardi only. The lines I draw will really depend on the piece I'm about to cut and the fabric pattern. The stitches in sweater knits are usually big enough so that you can easily see the wale (column of stitches) to mark. If there wasn't an obvious horizontal design element, I'd also chalk in some horizontal lines.
Wrong side
Next I carefully place the paper pattern on the fabric, secure it with weights, and trace the outline of the pattern piece onto the fabric with chalk. In this case the line indicating the "grain of the fabric" is parallel to this vertical chalk line. You can see part of the Back in the pic below. Chalk lines have been digitally enhanced, because they were rather invisible in the pic, even though I used the tailor's chalk!
Wrong side
Next comes the thread tracing of the chalk sewing line. If the fabric had been unstable, I wouldn't have made the chalk line first. I would have gone directly to thread tracing with the paper pattern still in place, skipping the chalk line tracing altogether. This double knit, however, is relatively stable for a sweater knit, and so I'm comfortable removing the paper pattern and thread tracing along the very outer edge of the chalk line. I find this way easier, though I'm pretty sure I'm breaking some rule. Actually, I don't know anyone who thread traces knits regularly, but I tried thread tracing once, and now I can't go back. 

There are lots of excellent tutorials online on thread tracing, so I won't get into the details here. My main reason for thread tracing is to make the sewing line visible on each side of the fabric. I don't use a special thread; I just use the same polyester thread that I use to sew the sweater but in a contrasting color. I do test the thread with a scrap first to make sure the thread can be removed easily. I aim to not stretch the fabric as I work. 

Next, I cut the fabric. I don't have to be extremely careful about the size of the seam allowance, because the sewing line is marked. I'll be trimming the seam allowance when I do the stretchy Hong Kong finish, so everything will be nice and neat... eventually.
Right side
Any sewing rule you regularly break because it works for you? I'd love to know!

O!
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Shawl Cardi Series
Disclosure: I received Kwik Sew 3916 for free with a coupon I received at a McCall Pattern Company event. 
Last edit: 23Oct2014

Of Hand, Spirit & Earth - Artisans' Studio

Baby alpaca and merino scarf by O! Jolly!

Were you expecting Shawl Cardi - Part 3? The next part of the series is coming soon, but first, this important announcement:

I'm happy to be a participating designer in the Jersey City Art & Studio Tour (JCAST) on October 18th and 19th. Invited by the lovely and talented Jacquie Bird of SilkWire Jewelry, my goods and I will be making the quick trip across the Hudson River to be a part of a new artisans' studio/showroom. It's called Of Hand, Spirit & Earth. We'll be previewing during the Jersey City Art & Studio Tour.

Of Hand, Spirit & Earth is located in downtown Jersey City on a pretty street a couple of blocks from City Hall. It's a quick trip on the PATH train, if you're coming from Manhattan. I'll be showing finished goods -- scarves and wraps. There'll be no sweater knit yardage for sale this time, though I'll have some special sample fabrics displayed and will be able to take orders. 
Merino wool and bamboo scarf by O! Jolly!

Limited edition scarves and wraps -- artwear to gloriously wrap around your neck and shoulders -- they're every textile designer's dream accessory to make. Scarves are the chance to show off both exuberant design and craftsmanship in one single complete accessory. Baby alpaca, fine merino wool, bamboo -- these are the yarns I use to create a knitted scarf or wrap that's luxuriously soft and sophisticated. If you follow me on social media (Instagram, Twitter, Facebook) you may have caught glimpses of a few scarf details last week.

If you're unfamiliar with the jewelry art that is SilkWire Jewelry by Jacquie Bird, you're in for a treat! Jacquie's pieces are handmade creations of beauty, bold and powerful, for women and men. Better than words, here's a peek at a couple of my favorites.
Amber, silk, copper bracelet by SilkWire Jewelry
Rose quartz, copper ring by Silk Wire Jewelry

Much handmade goodness to see on the JCAST... we'll be delighted to have you stop by!

October 18th and 19th, 2014, 12 - 6PM 
Jersey City Art & Studio Tour
Of Hand, Spirit & Earth [Google Map]
115 Mercer St. #1
Jersey City NJ 07302

O!